‘Holy goodness, yes, absolutely I’m coming’. When your friend asks you to come see Boy & Bear play in her living room you don’t ask any questions. By some elaborate means of what I could only assume involved the occult, she had secured one of the country’s most loved and well-bearded folk outfits to perform in the comfort of her own home, and my many years of sub-par banter had somehow scored me an invite. Needless to say, there are less pleasant reasons to drive to Gosford on a Sunday afternoon.
Fresh off a coast-to-coast tour of regional Australia stretching from Albany to Rockhampton, the Sydney quintet had agreed to share one more evening of smooth folk-rock glory with an exclusive group of fifty lucky punters. Witchcraft aside, we had Parlour Gigs to thank for the opportunity, a group facilitating pop up shows in homes around the country, offering a unique live music experience for fans eager to connect with their favourite artists in a more personal setting.
Unsure of what to expect besides an appropriate array of bunting, I arrive at Chloe and Sam’s place with an open mind and a cinnamon scroll as my ticket. There’s a palpable sense of quiet anticipation filling the open lounge room as the band are setting up, there’s a cool breeze easing the December heat and the prospect of a post-gig swim in the river below is on the cards. The crew at Parlour having created a perfect atmosphere with intentionally understated decoration; not attempting to convert the house into a music venue, rather creating a feeling that the band had just popped over for a Sunday arvo jam session.
Dave Hosking and the boys ease onto the makeshift stage, commenting sheepishly on the slight awkwardness of welcoming us into someone else’s home, before launching straight into the syncopated grooves of ‘Limit of Love’, the opening and title track from their latest release. They take us on an unassuming journey through a set of refreshingly familiar tunes, the nostalgia of classic bangers such as ‘Blood to Gold’ stripped back and re-imagined for such an intimate gathering. What starts as subtle toe-tapping gradually evolves into a spontaneous dance floor as the set progresses, the pretence of a typical gig nowhere to be found.
The show draws to a close but the good times continue into the evening, catching up with old friends made sweeter by a keg of the band's own ‘All Australian Ale’ creation, kindly supplied by Sydney brewery Akasha and aptly named, 'Boy & Beer'. The guys stick around to chat with guests on the balcony, overlooking the river as the sun slowly fades – friendly and humble, they seem as chuffed with the experience as we are. Parlour are onto something special, redefining the nature of live music with a focus on community and connection to create a show I’ll remember fondly for years to come.
Polish Club Featured Gig
Mark Gable Featured Gig
Abbe May Featured Gig
Woody Pitney Featured Gig
Jordie Lane & Clare Reynolds Featured Gig
Melody Pool - Parlour HQ
Robert Forster Parlour Gig
Greg Arnold Featured Gig
Mia Dyson Featured Gig
Parlour chat with Abbe May
Tripod Featured Gig
Catherine Britt Featured Gig
Dallas Fracsa performing in the Parlour Office.
We got to check out one of Ed Kuepper/The Aint's Parlour Gigs.
We spoke to Kav Temperley of Eskimo Joe at Plug Seven Records on Smith Street, to dig some dirt on his favourite records.
Spending an afternoon listening to Gena Rose Bruce made us all very happy at Parlour HQ!
A night with Aaron Gocs!
Furphy Gig at the Geelong Brewery
Furphy Gig at Geelong Brewery
Furphy Gig at Geelong Brewery with The Kite Machine
Furphy Gigs with Gymnastics in the Seventies
Featured Gig with Jodi and Trish from The Clouds
Bread, Milk & Vinyl with Ella Thompson
Featured Gig with Mia Dyson in Kew
Featured Gig with Didirri
Featured Gig with Steve Kilbey
Featured Gig with Guttermouth
Featured Gig with Jordie Lane & Clare Reynolds
Impromptune with Oh Mercy
Under the Covers (UTC) with Francesca Gonzales
Under the Covers (UTC) with Naomi Keyte
Featured Gig with Harry James Angus - I Saw Red